Keith Flick won me over pretty early on with his hard on sleep demeanor balanced with an underplayed zaniness that I found refreshing for his type. Keith Kazama Flick, voiced by Hiroaki Hirata A crew of police officers of various skills working together to catch criminals is always a win in my book and these characters hit the bullseye in that regard. This half of the show focuses mostly on Keith’s search for the murderer he has been chasing, as well as an investigation into the organization wreaking havoc in the nation. As stated, the former brings to mind Psycho-Pass and Ghost in the Shell. Keith searches for answers regarding a case that has haunted him for years, and Koku searches for the memories he has lost and the friends that were taken from him.ī: The Beginning is a merger of a police drama and a sci-fi action show. The three sides seek each other out in pursuit of their own goals, with the whole country in the crossfire. Connecting their stories are the criminal acts of a mysterious organization sewing discord throughout the nation, employing killers who possess supernatural abilities. She arrives on the scene of his latest work, where she meets Keith Flick, an eccentric investigator returning to fold after 10 years. Lily Hoshina of the Royal Investigation Service is assigned to the case, not realizing that the killer is her friend, a boy named Koku. In the fictional nation of Cremona, a mysterious murder named “Killer B” has been hunting down known criminals, leaving an insignia behind. B: The Beginning, their latest machination, manages to harken back to these elements, while also merging multiple distinct genres into a tight 12 episode series. These are among my favorite works of fiction, combining elements of police procedural, protagonists atypically mature for the medium and equally mature narratives. is most known- to me at least- for high concept action/science fiction shows like Ghost in the Shell and Pyscho-Pass. Regardless, they are producing a ton of new shows and one recent addition to the roster may have been exactly the type of show that I have been waiting a while for. There are still hurdles though, like Violet Evergarden apparently being on Netflix in every other country besides America. Viral hits like Musaka Yuuasa’s recent Devilman: Crybaby or any of the many Polygon Pictures shows are being released all at once exclusively on Netflix. However, as time has passed, my worries are slowly being erased completely. Granted, I’m not too crazy about Kakegurui now that I have it, but this was still a sign of Netflix’s misunderstanding of how the Anime community consumes the medium. Mainly, big seasonal shows like Fate: Apocrypha and Kakegurui were being licensed, but not released until the entire series was concluded. For a time, I was concerned about Anime’s place on Netflix.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |